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TU Berlin

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Pilar Diez del Corral Corredoira


Scientific career

Pilar Diez del Corral Corredoira holds a Ph.D. (2007) in Art History from the University of Santiago de Compostela with a thesis entitled: “Ariadna, esposa y amante de Dioniso. Estudio Iconográfico de la cerámica ática” published as: Y Dioniso desposó a la rubia Ariadna. Estudio iconográfico de la cerámica ática, British Archaeological Reports, Oxford, 2007.

She got a double M.A. at the same university and a European one in History of Architecture at the University of Roma TRE, (2005-06). She developed her research in different international centres as Accademia Nazionale di San Luca (Rome), The Warburg Institute (London), Royal Spanish Academy (Rome), Deutsches Archäologisches Institut (Rome), Beazly’s Archive (Oxford), Scuola Normale Superiore di Pisa, etc.

In the years prior to her IPODI fellowship she was an integrated member of the Institute of Art History (IHA-FCSH) at the Universidade Nova de Lisboa (Portugal) where I started to develop her IPODI research project.

She is now a Ramón y Cajal Professor Researcher at Universidad Nacional de Educación a Distancia (UNED) in Madrid, where she investigates the Spanish and Portuguese cultural presence, mainly art and music, in Rome in the 18th century.

Research interests

  • Eighteenth-Century Art
  • Cultural networks
  • National Academies
  • Spanish and Portuguese artists in Rome
  • Grand Tour
  • Reception of Classical Art
  • Artistic training




IPODI Research Project

Roma Lusitana e Roma Spagnola: Academies and national identities in the first half of Eighteenth-Century Rome

Duration: 30 September 2015 – 29 September 2017

Mentor: Prof. Dr. Bénédicte Savoy, Faculty I, Institut für Kunstwissenschaften und Historische Urbanistik, Kunstgeschichte

Abstract: My project is focused in two countries, Spain and Portugal, and how they envisaged their relations with Rome during the “Primo Settecento”. Both countries produced a rich diplomacy and developed their own ways of conducting affairs in Rome. My main goal is to analyze the extent of that particular foreign presence in Rome from the artistic/cultural point of view and how it helped the creation of a national identity. My aim is, on one hand, to evaluate how it influenced the evolution of the arts in their countries of origin or how they assume the roman paradigm. On the other hand, I want to study to what extent the Portuguese and Spaniard presence affected the cultural realm of the Urbs and their fertile relationships with other countries.



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